seni Betawi

Samrah Betawi : Lagu-lagu melayu betawi.

Paket A

·         Home Band full

·         Plus Gambang Kromong betawi

·         2 singers

·         10 orang pemain

·         Mc

·         Pelawak

·         Budget  6 jt

Plus sound system 10.000 watt

Rp. 8.000.000,-

Solid Body Electric Violins

Another option is to buy a solid-body electric violin. More and more people are making them, and prices have come down considerably in the last few years. Aside from the "cool" factor, why would you buy a solid-body electric violin? Obviously, you could convert your acoustic to electro-acoustic for just a couple of hundred dollars.

Solid-body electrics are almost silent when they're not amplified, making them ideal for practicing when you have to be quiet. Hotel rooms, college dorms, airport terminals ...

And in many applified settings, feedback with acoustic violins can be a real problem. The face and back of the violin vibrate in phase with the surrounding noise, and at a high enough volume, the whole instrument will start to speak. I played with a violinist once, who had dealt with the problem by taking his violin apart and putting a chunk of appholtery foam inside. Solid-body electrics don't have this problem, so they're a good fit for rock concerts and other high-energy venues.

Plus, with the elimination of the sound chamber, makers of solid-body electrics are free to be wildly creative in their designs. Here are a few examples:

Zeta (Zeta Website)
Jordan The Jordan Electric is one of my favorites. Almost a work of art, with the graceful curves and countless finish options. Jordan has "re-arranged" the violin so the tuning hardware is closer to the chin, making the instrument considerably lighter and easier to handle.
Mark Wood Viper Violin Fretted or fretless, 6 string designs, schatten or barberra pickups ... the "flying V" rests on your shoulder and chest, eliminated the need for a chin-rest. (Mark Wood Website)
NS Design Designed by Ned Steinberger (NS Design Website)
Yamaha Silent Electric Four and five string models available. Built-in preamp with a 9V battery, separate pickups for each string, and a mini headphone jack for "silent" practice sessions. (Yamaha Website)
Epoch Electro-Acoustic An exception to this class of solid-body electrics. This electro-acoustic design is weather-proof, has a stong acoustic tone when applified, and has a reasonably good acoustic tone (on par with a student violin) when unplugged. (Epoch Website)
Harada's Violins from Japan (Harada's Website)

The selection of solid-bodied electrics continues to grow. With professional calibre pick-up systems available from Zeta, Barberra, and other manufacturers at affordable prices, luthiers are free from many of the technical limitations and can incorporate off-the-shelf parts into their own creative designs. Bowed Electricity, the Electric Violin Shop, and Google are good places to look to see what's currently out there.

Selecting Strings for Your Electric Violin

If you are using an acoustic violin with a pick-up (electro-acoustic) you can really use any string you like. You should experiment though, to see which type and brand works the best with your pick-up, pre-amp, effects processor and sound system. Each of these plays a role in the final tone produced with your violin and you may find that some strings are too harsh, or possibly to muddy for your setup. Also, don't feel that you have to use all one brand of string. I prefer Thomastik Dominant C,G, & D with a Jargar A on my acoustic viola, as the Dominant A is too harsh for my liking.

For solid body electric violins, all-metal strings (often called steel core strings) typically offer better response, pitch stability and volume. Steel core strings have a simple and bright sound, with few overtones, which works well with effects processors and analog to MIDI conversion - if you have plans to use your violin to control MIDI devices.

All-metal strings, often called steel core, have a simple, bright, and well-focused sound. Their advantage is very quick response, a stable pitch and volume. The "down-side" of the all-metal string is a thin or edgy quality to the sound with few overtones and no real complexity. Country, folk and jazz musicians often prefer steel strings for their volume and pure, direct sound. Thomastik – Ropecore has a dark, warm tone, and is recommended by Zeta for their electric violins, however they can sound a bit dull on some instruments.

Fishman v-200

Para Fishman gunung-keramik piezo pick-up dalam slot sayap jembatan biola dengan apa Fishman panggilan "Mengambang Gunung Sistem." Ini pada dasarnya adalah "v" piezo yang berbentuk wedges ke wingslot itu. Fishman klaim mereka 'telah gila perangkat ringan untuk meminimalkan mematikan, namun saya sulit untuk percaya itu tidak memiliki dampak pada getaran sisi ke sisi jembatan. V-200 mempekerjakan tukang kayu gaya jack, 1 / 4 "jack output yang gunung di sisi instrumen dengan chinrest gaya keras. Sebuah preamp pencocokan impedansi-dianjurkan, tapi tidak diperlukan.

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Pickups Biola

Pertama - mari kita mulai dengan teknologi dasar di balik biola listrik, transduser. Sebuah transduser, supaya kau tahu, adalah alat yang mengubah satu bentuk energi yang lain. Dalam kasus ini, kita mengkonversi suara ke listrik.

Pickup paling di pasar transduser piezo penggunaan - kristal yang merespon tekanan atau getaran dengan menghasilkan sinyal listrik menit - meskipun pickup koil magnetik, seperti yang Anda lihat pada gitar listrik, adalah pilihan lain. Perlu diingat bahwa transduser piezo tinggi-impedansi perangkat, dan menghubungkan satu langsung ke penguat impedansi rendah akan menghasilkan suara, keras melengking. Untuk mendapatkan nada lebih kaya, lebih lengkap, Anda akan ingin menggunakan pre amp-untuk mencocokkan impedansi dari pickup dengan sistem suara anda.

Seperti yang akan Anda lihat di bawah, pickup datang dalam berbagai konfigurasi. Beberapa hanya melampirkan elemen transduser untuk menjembatani atau ganjalan di antara sayap-slot dari jembatan atau di bawah kaki, sementara yang lain datang dengan unsur-unsur yang telah tertanam di jembatan, langsung dari pabrik. Juga, jumlah elemen piezo dapat berkisar dari elemen tunggal, sebanyak dua per string. Biasanya, lebih elemen piezo, semakin baik kualitas pickup. Tentu saja harga pickup naik juga.
LR Baggs

Pickup biola LR Baggs 'fitur getaran transduser miniatur cor tepat ke jembatan. Transduser ini dirancang untuk menerima nada kaya gerakan kiri / kanan jembatan, menolak umpan balik, menghilangkan suara hidung gatal, dan melacak suara alam dari instrumen. Pickup ini telah pick populer selama lebih dari sepuluh tahun, itu relatif murah, dan sejumlah pro atas - termasuk Alison Krauss, Michael Doucet, Darol Anger, Jean-Luc Ponty - telah mendukung itu.

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L.R. Baggs perusahaan mengklaim bahwa "terjebak pada" atau "terjepit di" pickup mematikan suara akustik alami biola dan memberikan hasil yang tidak konsisten. "... Pola pengakuan selektif itu selaras sehingga sinyal yang dihasilkan sebagai jembatan bergerak dalam gerakan kiri-kanan (dalam menanggapi getaran string). Transduser juga menolak setiap dorongan diarahkan ke bidang jembatan, meminimalkan menjengkelkan jari berderit, tubuh kebisingan dan umpan balik. "

Ada beberapa hal yang perlu diperhatikan dengan pickup Baggs LR. Jembatan datang saham dari Aubert, dan akan perlu dipasang untuk biola Anda. Kecuali Anda ingin membentuk jembatan sendiri, ini akan menjadi biaya tambahan. Plus, piezo tertanam akan membuat sulit untuk membentuk jembatan. Anda luthier kemungkinan besar akan pasir jembatan di sisi terbuka, meninggalkan sisi piezo tersentuh.

Juga, untuk beberapa alasan, LR Baggs menggunakan wire mesh bukan plastik untuk menutupi kawat menghubungkan piezo ke jack tukang kayu. Pastikan kawat dengan hati-hati terselip di bawah tailpiece atau akan dengungan terhadap wajah biola ketika bergetar.